There
are so many writing rules and myths bandied about that it is hard to figure out
what is someone ranting, and what is good advice. What is needed to write a
novel and what is padding.
In
today’s guest post author, Jordan Rosenfeld, shatters some of the myths around
creating a good plot.
Plot: literary writers often love to hate
it, and genre writers live by its guidelines.
If you’re a pantser (as in
fly-by-the-seat-of) you resist what you perceive as its constraints, but
plotters, well, we plotters know that plot is more than an attempt to corral
our messy muses, but an elegant strategy to assure that your stories deliver a
powerful, memorable experience to your readers.
Below you’ll find five myths about plot
that, once shattered, may open up entirely new vistas to your writing
experience.
MYTH #1:
Plot
is just a string of events that a character travels through, kind of like a
literary obstacle course. I can add events at will, so long as they’re flashy or twisty.
TRUTH #1:
Plot is a character’s journey of
transformation; those “events” are not an obstacle course, but personal
challenges that stem from a character’s flaws, fears and desires. Events that
put up obstacles to your character’s desires, in the form of antagonists and
challenges of a psychological, physical, and spiritual nature, do so not just
for the sake of pretty plot points, but to test, stretch and push your
character’s inner strength and hidden steel. Each plot event must deepen your
character, further your story, and provide compelling tension.
MYTH #2:
You
need a lot of sub-plots to hold a reader’s interest.
TRUTH #2:
First, sub-plots must be organic off-shoots
of your main plot to begin with; that is, they must relate to your
protagonist’s fears, flaws and desires, and ideally to her inciting incident. If
your main plot, the engine that drives a character toward compelling goals and
change is strong, you’ll find you have little need to manufacture sub-plots;
they’ll arise organically or be unnecessary.
MYTH #3:
Plots
are built on big, epic action.
TRUTH #3:
Let’s return to our main understanding of
what a Plot is: A plot is a character’s journey of transformation, i.e.
discovery or change on the journey to a compelling goal. A character starts out
in an unstable place and journeys toward some kind of stability (even if he/she
doesn’t end up stable, the story is the search for it). You don’t need car
crashes or fights atop buildings, dragons or wrestling matches; Characters should
wrestle with inner demons, inter-personally, creating powerful inner drama as
well as external action.
MYTH #4:
It’s
important to explain a lot of information in a plot, in exposition, so the
reader understands what’s happening.
TRUTH #4:
You don’t build a plot by explaining what
has or will happened (back-story, telegraphing). You build a plot by writing
strong scenes, in which a character demonstrates and discovers new
“information”—another clue in the puzzle piece of your story’s mystery and
follows a dramatic arc.
MYTH #5:
I
don’t need to worry about structure when writing a plot. I can plot by the seat
of my pants.
TRUTH #5.
A rare few writers can write a plot from
start to finish without any sort of outline. But the more writers I work with
of ALL levels of craft, the more
certain I’ve become that some form of outline, from the loosest, most
narrative, organic version, to the most structured, will save a writer much
time. Writers are often afraid that a
plot outline, or plot structure, will kill the creativity or erode their
ability to discover. And I can assure you, that is not the case. Plot structure
is merely a blueprint for a world that you will still create in your own
individual way.
Do you plot or ‘pants’ your way through things? Please leave a comment below.
Jordan is author of the suspense novel Forged in Grace, and the writing guides Make a Scene: Crafting a Powerful Story One Scene at a Time,
and Write Free: Attracting the Creative Life with
Rebecca Lawton. She is co-founder of www.indie-visible.com, a
writer’s collective offering publishing and marketing support to indie authors.
www.jordanrosenfeld.net
She teaches an ongoing series of online writing courses and
webinars on the subjects of plot, scene and tension-building, and will be
holding the first annual Plot & Scene retreat with author Martha Alderson, The Plot Whisperer,
in May 2014. www.writerpath.com
Great explanation of what a plot is. Setting and plot are what hook me.
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